© photo Uwe Bley |
- What is your greatest joy in improvised music?
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What quality do you most admire in the musicians you
perform with?
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Which historical musician/composer do you admire the most?
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If you could resurrect a musician to perform with, who
would it be?
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What would you still like to achieve musically in your
life?
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Are you interested in popular music and – if yes – what
music/artist do you particularly like?
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If you could change one thing about yourself, what would it
be?
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Which of your albums are you most proud of?
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Once an album of yours is released, do you still listen to
it? And how often?
- Which album (from any musician) have you listened to the most in
your life?
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What are you listening to at the moment?
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What artist outside music inspires you?
To play with others in intensive-concentrated-listening and open-to-risk
collectives. I particularly like everything from duos – sextets, but
occasionally there had been some really enjoyable larger groups as well.
Generally speaking: the profound/convincing ability of deep listening,
selflessness playing, joy of sharing, “jumping into cold water”.
Oh dear, there are more than one…: Anton Webern, Edgar Varèse, Iannis
Xenakis, Eric Dolphy, John Coltrane.
I would like to play with Fred Frith and Lori Freedman, playing with Lori
is coming up soon.
Ha! Concerning me as an artist I wish to maintain a continuous healthy
stream of creativity and an ongoing openness towards changes along the
road.
Concerning contemporary improvised music I would like to see -in general-
better recognition of the many merits of this music. Among other things,
significantly improved performance opportunity in good venues such as
acoustically suitable concert halls Philharmonic halls would contribute to
this. I founded the ongoing “SoundScapes – Festival” 2016 to support the
contemporary improvised music scene to achieve some of these aims.
My musical background includes a fair variety of popular, rock, blues and
soul music for sure. I can still enjoy many of the artists from the
Woodstock period, perhaps Jimmy Hendrix especially.
Well, I’m working on to learn more about keeping my body in good condition
and my mind in good spirits.
Quintet Moderne – Wellsprings (2004)
Sestetto Internazionale – Due Mutabili (2023)
Milano Dialogues – Windows & Mirrors (2022)
Milano
Dialogues – More Windows & Small Mirrors (2023)
Milano
Dialogues – Flight Mode Live in Berlin (2024)
Yes, I listen every now and then but I can’t say it’s really regularly.
My listening concentrates on new material under work in mixing etc. for the
releases. This occupies a lot of time.
It’s hard to pin down one particular because it’s related to different
periods of my life.
Probably the album I’ve heard the most was “complete webern * boulez”.
Actually I don’t listen that much to albums, I prefer visiting live
concerts.
The latest music I listened to has been Frank Gratkowski’s Mature Hybrid Talking and Entrainment, Concerto for Violin and Symphony
Orchestra’s Auseil and Veli Kujala – Concerto for Vi.
Sources of inspiration outside music lay in abstract painting, contemporary
photography, contemporary theatre.
Harri Sjöström on the Free Jazz Blog: