By
Paul AcquaroÂ
Last weekend was a long one in Germany and every year the Jazz in E festival
takes place in Eberswalde, a small city about an hour by car north from
Berlin. This was the 31st edition of the festival and over four nights, acts drawn from Berlin, and from beyond as
well, played to an appreciative audience, each evening offering a balance of accessibility and adventure.
The event opened with guitarist Uwe Kropinski playing his unique and amply fretted
instrument with a mix of flamenco flair and percussive panache. He was
followed by a upbeat folk-inflected compositions of Vienna based Richard Koch’s “Ray of Light” ensemble.
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The second night was opened by “rant,” the drum and guitar duo of Merle Bennett und Torsten Papenheim respectively. Followed by the highly syncopated Kind, a fantastic
new quartet let by Essen based saxophonist and composer Jan Klare.
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Friday offered a highlight of the festival in the form of the Berlin-based duo of Achim Kaufmann and guitarist Kalle Kalima.
Not enough of the delicate intertwining of the two acoustic instruments is
presented here in the video, but one can also check out their recording Ilmonique). They were
followed by the kinetic and driving sounds of saxophonist Phillip Gropper’s
TAU, with Philip Zoubek on keys, Ludwig Wandinger on electronics and Felix
Henkelhausen on bass.
On the last night of the festival, the relaxed guitar styling
of Tobias Hoffmann and keyboardist Benjamin Schaefer opened the evening, followed by the frenetic rock of Els and the Bliss. Featuring the animated Els
Vanderweyer on vibraphone and the bifurcated beats of the Bliss:Â Dirk Berger on guitar, Based Krajewski on drums and Beat Halberschmidt on
the bass, the quartet closed the festival on a high note.Â
Here is a final snippet, showing first the Koeln based guitarist painting a sonic canvass with
some of Bill Frisell’s brushes mixed-in with his own, followed by the
Berliner’s agitated art-rock.
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