By Nick Ostrum
    It begins with a whirl of sound, out of which Francois  Houle’s clarinet
    rises to lead the piece into a lively Arabic dance. The  rhythm, played or
    implied, remains, but the horns and strings swing back into a  stew of
    improvisation that recalls, with Middle Eastern inflections, the free  jazz
    fumblings especially of late 1950s/early 1960s Ornette and Don Cherry.  They
    lean toward melody but are also pulled to the cacophony that would soon be
    realized as free improv in Europe. Here, Armoush balances that impulse with
    his  folk and classical Arabic training to produce something that is
    absolutely  stunning, especially when punctuated by his hauntingly emotive
    voice.
    Distilled Extractions is Armoush’s group Rayhan’s  second
    recording, at least as far as I can find. Accompanying the core of  Kenton
    Loewen on drums, Houle on clarinet, JP Carter on trumpet, Jesse Zubot on
    violin and, of course, Armoush himself on oud, ney and vocals is cellist
    Marina  Hasselberg, who has played everything from early music to
    contemporary  classical to collaborations with Okkyung Lee, Ingrid Laubrock
    and John  Dieterich. (Notably, this is the same Rayhan line-up that
    performed on 2023’s
        Electritradition,  though there in duos rather than collectively.) The stylistic reach is
    wide,  though much of that reach, especially into free jazz, is integrated
    along  different scalar and rhythmic lines. At its core, however, lies dance
    music –  by definition a communal undertaking – driven by a steady rhythm
    and eastern scales  and syntax. This alone might be enough to make this
    album compelling,  especially when performed by band this tight. The
    improvisations, however, the  protracted pronouncements/recitations, the
    genuinely weird atmospherics, the  unstructured improv sections truly
    distinguish Distilled Extractions from  the crowd.
    In an odd way, this reminds me of the Grateful Dead at their  digressive
    best. The group eventually get back to the melody and the “song,”  but the
    listener is often left wondering how it happened, and excited that  things
    happened in the way they did. To these ears, at least, this is one of  the
    best so far of 2025.
    Distilled Extractionsis available as a CD and  download on
    Bandcamp:
   
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