Harri Sjöström – Sunday Interview


© photo Uwe Bley
  1.  What is your greatest joy in improvised music?

  2. To play with others in intensive-concentrated-listening and open-to-risk
    collectives. I particularly like everything from duos – sextets, but
    occasionally there had been some really enjoyable larger groups as well.

  3. What quality do you most admire in the musicians you
    perform with?

  4. Generally speaking: the profound/convincing ability of deep listening,
    selflessness playing, joy of sharing, “jumping into cold water”.

  5. Which historical musician/composer do you admire the most?

  6. Oh dear, there are more than one…: Anton Webern, Edgar Varèse, Iannis
    Xenakis, Eric Dolphy, John Coltrane.


  7. If you could resurrect a musician to perform with, who
    would it be?

  8. I would like to play with Fred Frith and Lori Freedman, playing with Lori
    is coming up soon.


  9. What would you still like to achieve musically in your
    life?

  10. Ha! Concerning me as an artist I wish to maintain a continuous healthy
    stream of creativity and an ongoing openness towards changes along the
    road.

    Concerning contemporary improvised music I would like to see -in general-
    better recognition of the many merits of this music. Among other things,
    significantly improved performance opportunity in good venues such as
    acoustically suitable concert halls Philharmonic halls would contribute to
    this. I founded the ongoing “SoundScapes – Festival” 2016 to support the
    contemporary improvised music scene to achieve some of these aims.


  11. Are you interested in popular music and – if yes – what
    music/artist do you particularly like?

  12. My musical background includes a fair variety of popular, rock, blues and
    soul music for sure. I can still enjoy many of the artists from the
    Woodstock period, perhaps Jimmy Hendrix especially.

  13. If you could change one thing about yourself, what would it
    be?

  14. Well, I’m working on to learn more about keeping my body in good condition
    and my mind in good spirits.

  15. Which of your albums are you most proud of?

  16. Quintet Moderne – Wellsprings (2004)

    Sestetto Internazionale – Due Mutabili (2023)

    Milano Dialogues – Windows & Mirrors (2022)

    Milano
    Dialogues – More Windows & Small Mirrors (2023)

    Milano
    Dialogues – Flight Mode Live in Berlin (2024)

  17. Once an album of yours is released, do you still listen to
    it? And how often?

  18. Yes, I listen every now and then but I can’t say it’s really regularly.
    My listening concentrates on new material under work in mixing etc. for the
    releases. This occupies a lot of time.

  19. Which album (from any musician) have you listened to the most in
    your life?
  20. It’s hard to pin down one particular because it’s related to different
    periods of my life.

    Probably the album I’ve heard the most was “complete webern * boulez”.

    Actually I don’t listen that much to albums, I prefer visiting live
    concerts.


  21. What are you listening to at the moment?

  22. The latest music I listened to has been Frank Gratkowski’s Mature Hybrid Talking and Entrainment, Concerto for Violin and Symphony
    Orchestra’s Auseil and Veli Kujala – Concerto for Vi.

  23. What artist outside music inspires you?

  24. Sources of inspiration outside music lay in abstract painting, contemporary
    photography, contemporary theatre.

Harri Sjöström on the Free Jazz Blog:

  • Cecil Taylor Quintet – Lifting the Bandstand (Fundacja Słuchaj, 2021) ****
  • The Balderin Sali – Variations (Leo Records, 2019) *****
  • New from FMP
  • Cecil Taylor: Corona / Conversations with Tony Oxley
  • MOVE – Hyvinkää (uniSono, 2017) ****


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